Daily Archives: September 21, 2006

Quick Critiques – Sept. 21, 2006

Civil War #4 (Marvel Comics)
by Mark Millar, Steve McNiven & Dexter Vines

Remember Avengers #500-503?  The “Disassembled” story arc? And Identity Crisis? This issue of Civil War reminds me of those stories quite a bit, mainly because the plot is mired in the unnecessary and difficult-to-accept deaths of several characters, more for impact than anything else. This issue has already irked a number of readers, though I would imagine the ill will that its lateness fostered might have something to do with it. After reading this issue, I was a bit torn. There were elements I just didn’t buy — such as Reed’s and Tony’s willingness to accept that former allies would have to die for their cause, not to mention their new “recruits,” as revealed on the final page. But other elements in the book are strong. We finally get to see the long-promised rift in the Fantastic Four, and it’s a subplot in which the character of the Invisible Woman really shines. And McNiven’s art is, as always, powerfully detailed and effective in conveying the dire atmosphere of the story. In the end, though, the plot is quickly losing credibility despite some interesting character bits. 5/10 

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A British Invasion

Union Jack v.2 #1
“Enemies of the Crown”
Writer: Christos N. Gage
Pencils/Cover artist: Mike Perkins
Inks: Andrew Hennessy
Colors: Laura Villari
Letters: Virtual Calligraphy
Editor: Andy Schmidt
Publisher: Marvel Comics
Price: $2.99 US/$3.75 CAN

I stopped following Ed Brubaker’s Captain America run a couple of issues ago. Though I enjoyed the Winter Soldier subplot, the whole Invaders story arc struck me as just a rehash of past stories (as did the Cosmic Cube’s incorporation into the plot earlier in the series). As a result, my interest in this new Union Jack limited series was somewhat minimal, but when I heard about writer Christos Gage’s use of Israeli and Arab heroes in the story, my interest was piqued. I’m pleased I picked this book up. Politics are front and centre in this story, not the title character’s history. Gage has developed a plot that allows for the color and fun of super-hero action with the tension and intellect of a political thriller. I was also pleased to find that one needn’t have read recent issues of Cap (or any past Invaders comics) to follow this story.

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