Daily Archives: April 2, 2008

Secret Satans

Secret Invasion #1
Writer: Brian Michael Bendis
Pencils: Leinil Yu
Inks: Mark Morales
Colors: Laura Martin
Letters: Chris Eliopoulos
Cover artists: Gabriele Dell’Otto, Leinil Yu & Steve McNiven
Editor: Tom Brevoort
Publisher: Marvel Comics
Price: $3.99 US/$4.05 CAN

That’s it?

After all the talk of closely guarded secrets, of paranoid powerhouses and reported efforts on Marvel’s part to keep spoilers from leaking on the Internet, we’re faced with a story that fails to surprise, shock or even rock the boat all that much. Bendis’s script is a bit awkward, given how much exposition is needed and the diversity of characters that play a role in the story, but given the scope of the event, it’s understandable with the first issue. Where the story goes astray is with the predictability of the big “revelations” about who’s a Skrull and who ain’t. I did enjoy the art. The loose, sketchy work Leinil Yu’s been doing on New Avengers is replaced by much more defined, intense visuals that serve the atmosphere of the plot fairly well.

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The Big Chill

The Last Winter graphic novel
Writers: Larry Fessenden & Robert Leaver
Artist/Cover artist: Brahm Revel
Layouts: James Felix McKenney
Publisher: Image Comics
Price: $12.99 US

The importance of environmental issues has never been more prominent in the Western consciousness, which is surprising, since we’ve currently got American and Canadian administrations in power at the moment that seem, at times, downright hostile to green policies and practices. Storyteller Larry Fessenden has tapped into that heightened social and scientific awareness to arrive at this unusual eco-horror story. This is actually an adaptation of a 2006 film written and directed by Larry Fessenden. The writers used the storyboards from the film as the launching pad for this incarnation of the project, but it reads as though it was designed for the comics medium from the start. The mysterious and foreboding atmosphere that serves as a major draw here reminds me of the storytelling in such other comics as Greg Rucka and Steve Lieber’s Whiteout and Steve Niles and Ben Templesmith’s 30 Days of Night. The inclusion of a single color with the black-and-white artwork reinforces the cold, isolated nature of the backdrop, and the simpler tone of the artwork is nevertheless effective at achieving a realistic look and intriguing atmosphere.

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