Daily Archives: August 17, 2009

Future Perfect, Past Tense

Whatever Happened to the World of Tomorrow original hardcover graphic novel
Writer/Artist/Cover artist: Brian Fies
Editor: Charlie Kochman
Publisher: Abrams ComicArts/Harry N. Abrams, Inc.
Price: $24.95 US/$27.50 CAN

I don’t know what it is about Brian Fies’s projects, but I always seem to find out about them well after their release. I was late getting on the Mom’s Cancer bandwagon but was thrilled with what I found after I finally got my hands on a copy of the hardcover collected edition of his touching webcomic. And for some reason, this second project flew under my radar for a couple of months as well. As soon as I saw it, though, I grabbed a copy off the shelf at my local comic shop, eager to delve into what I expected was more personal storytelling. I did find that to a certain degree, but Whatever Happened to the World of Tomorrow?, while exploring emotional reactions to a history of 20th-century American technology and innovation, lacks a more resonant, personal tone. Helping to maintain that barrier between the reader and the main character is Fies’s meticulous detailing of the history he clearly wants to share with and impart upon his audience. It’s a shame that the execution here falls a bit short, as Fies experiments with content and even production values to great effect. This is an interesting book, but perhaps its biggest problem is that it gives away the entire premise and the moods to be found within with its very title.

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The Cost of Crime-Fighting in San Diego

Earlier this month, Eye on Comics posted an article on how smoothly Comic-Con International San Diego 2009 ran, strictly from a security/safety/crime perspective. As was noted, the San Diego Police Department only recorded two arrests it connected to the premier comics and pop-culture event, and it also reported four lost children were quickly reunited with their families at the convention.

Monica Munoz, media services manager with the San Diego Police Department, had commented that Comic-Con had a contract with the city for policing and traffic-control services, but she was unable at the time to provide information on the value of that contract. She’s since contacted Eye on Comics with the relevant figures.

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