The first time I saw Gene Colan’s art, I didn’t care for it.
My introduction to Colan’s work wasn’t through his iconic run on Tomb of Dracula or Iron Man. I didn’t really get into Marvel’s comics until the mid 1980s, so it was his work on Batman that probably served as my initial Gene Colan experience.
It may have been Batman #340 — penned by Gerry Conway and introducing a villain named the Mole, a character that’s never resurfaced, as far as I know — that was my first Colan comic. The next was likely Batman #343, which introduced another footnote of a villain, Dagger.