Monthly Archives: November 2015

It Was a Dark and Stormy Knight

Dark Knight III: The Master Race #1 and Dark Knight Universe Presents: The Atom #1
Writers: Frank Miller & Brian Azzarello
Pencils: Andy Kubert & Frank Miller
Inks: Klaus Janson
Colors: Brad Anderson & Alex Sinclair
Letters: Clem Robins
Cover artists: Kubert & Janson (regular edition)/Too many to list (variant editions)
Editor: Mark Doyle
Publisher: DC Comics
Price: $5.99 US

I’ll be honest — I really enjoyed the inaugural issue of DK2, the first wholly unnecessary sequel to Frank Miller’s landmark The Dark Knight Returns, but subsequent issues saw the storytelling fall apart. Not only did it pale in comparison to the creative achievement from which it flowed, but it just wasn’t a good comic book in any sense. Miller’s subsequent forays into the super-hero genre have disappointed as well (*cough* Holy Terror *cough*). So when Dark Knight III, with its unfortunate subtitle “The Master Race,” was announced, I had no interest in reading it, even with writer Brian Azzarello attached to it. And then I wrote an essay about Jessica Jones, and it got me wanting to write about comics again. The site’s been dormant for months, but I’ve got so many words building up in the tips of my fingers, I just had to let them out. Reading Dark Knight III seemed like something topical to keep things going.

The good news is that DKIII isn’t terrible. It’s fairly clear and it’s even somewhat accessible if one isn’t all that familiar with The Dark Knight Returns. Mind you, I can’t imagine anyone who hasn’t read TDKR wanting to read DKIII, save for perhaps some random white supremacists who could happen upon the book and be drawn in by the subtitle. While DKIII #1 continues the trend of exploring DC heroes as myths in yet another climactic endgame, it’s a rather mediocre comic that fails to say anything new about the icons populating its pages.

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The Importance of Jessica Jones

It’s been 14 years since the first issue of Alias by Brian Michael Bendis and Michael Gaydos was released in comics shops. I was taken with the book immediately, which came as no surprise, as I was hungry for anything Bendis penned at the time (and I continue to follow some of his mainstream Marvel work today). When an adaptation of that series was announced as one of the TV series to be developed by Marvel and Netflix, I was pumped and eager to see what would arise.

Jessica Jones, the said streaming TV show, was released a week ago, and like so many others, comics lovers and non-readers alike, I binge-watched my way through it fairly quickly. What I found was something that, in terms of plot, was quite different from the Bendis/Gaydos source material, but thematically and tonally, it was consistent and just as compelling. The story is different, but the subject matter is the same.

Something else has changed, though, and that’s cultural context in which I experienced this adaptation of Alias.

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