Monthly Archives: January 2017

On the Lighter Side…

Justice League of America: The Ray – Rebirth #1
Writer: Steve Orlando
Artist/Color: Stephen Byrne
Letters: Clayton Cowles
Cover artists: Ivan Reis & Joe Prado (regular)/Stephen Byrne (variant)
Editor: Andy Khouri
Publisher: DC Comics
Price: $2.99 US

A couple of weeks ago, the cover of the Justice League of America: The Atom – Rebirth one-shot caught my eye, and on impulse, I picked it up. I thoroughly enjoyed it, and I started to realize Steve Orlando was a writer I needed to follow more closely. While the recent Vixen one-shot didn’t grab me, there was something about the cover on The Ray and its interior art that drew me in. Once again, Orlando delivers a thoughtful, character-driven story. It’s also a well-timed one, given the political and social climate in the United States as of late. Orlando’s story is about inclusion, about differences adding to society’s strengths and about how xenophobia is a lurking danger that’s emerging from the shadows. The story is something of a dichotomy, boasting a dark tone but ultimately a hopeful message as well. And artist Stephen Byrne stands as a new talent who merits more attention as well.

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Will O’ the Wasp

The Unstoppable Wasp #1
Writer: Jeremy Whitley
Artist: Elsa Charretier
Colors: Megan Wilson
Letters: Virtual Calligraphy’s Joe Caramagna
Cover artists: Elsa Charretier (regular)/Elizabeth Torque, Nelson Blake II, Skottie Young, John Tyler Christopher & Andy Park (variants)
Editors: Alanna Smith & Tom Brevoort
Publisher: Marvel Entertainment
Price: $3.99 US

I was surprised at how quickly the Wasp, only recently introduced into the Marvel Universe, was spun off into her own series, and while I liked the character concept and design, I wasn’t sure I’d bother to check this new book out. Ultimately, I decided to give it a whirl, and I’m thrilled that I did. While some dour drama can dominate more prominent titles in the Marvel title, there’s a small corner of the line that focuses on fun and a broader appeal. The Unstoppable Wasp falls into that latter category, and I hope it develops a following like other recent female-led books from the House of Ideas.

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Marvel’s Digital Downfall

Marvel announced this week, through a spin-heavy puff piece in Forbes, it was altering its value-added digital code program in its printed comics. Instead of receiving a free digital download code for the comic one purchased, Marvel will now include a code that’s good for downloads for two other, previously released and unrelated comics. The shift begins in February.

The Rob Salkowitz-penned Forbes piece is headlined as “Marvel Sweetens Its Retail Value With New Digital Bonuses For Comic Buyers,” and in the article, Marvel reports it’s changing its digital-code program to benefit brick-and-mortar comics retailers, the folks who sell the tangible comic books that it says is the cornerstone of the industry. At best, it’s a naive endeavor. At worst, it’s a lie. A possible motive for the change in approach is to curb the grey-market sale of the digital codes under the original program and to redirect that business to Marvel’s digital-comics sales avenues.

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