Monthly Archives: May 2018

A Galaxy Zaar, Zaar Away

The Man of Steel #1
“Man of Steel, Part 1”
Writer: Brian Michael Bendis
Pencils: Ivan Reis & Jay Fabok
Inks: Joe Prado & Jay Fabok
Colors: Alex Sinclair
Letters: Cory Petit
Editor: Michael Cotton
Publisher: DC Comics
Price: $3.99 US

I recently reviewed Brian Michael Bendis’s final published work from Marvel, and it seemed only fitting to turn my attention to his DC debut. Though he had work published at DC in the last few weeks (in Action Comics #1000 and DC Nation #0), The Man of Steel #1 (evoking memories of John Byrne’s relaunch of the character with the same title more than three decades ago) is his first full issue at his new professional home. Some have described Superman, the original super-hero, as the least interesting super-hero — too powerful, too vanilla, what have you. One could argue that in the hands of the right writer, Superman is the most human of super-heroes, and Bendis is definitely equal to the task. The writer has always been talented when it comes to bringing fantastic characters down to earth, and he does so with the title character here, while at the same time, he explores the wonder of his seemingly limited powers — especially when it comes to his super-senses. The Man of Steel is exactly what I was hoping for from Bendis at DC, and I can’t wait for more.

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I’m With the Band

We Are the Danger #1
Writer/Artist/Cover artist: Fabian Lelay
Colors: Claudia Aguirre
Letters: Taylor Esposito
Editor: Stephanie Cooke
Publisher: Black Mask Studios
Price: $3.99 US

There’s been a great deal of discussion as of late in comics fandom and in the industry about diversity, about new creative voices and more inclusive interpretations of characters, both new and established. A lot of that discussion has arisen from a push back by a vocal minority who argue that diversity doesn’t sell. They argue about how properties they’ve loved all their lives have been transformed into women or have seen minorities fill those roles, as though if were actually possible the corporate owners of those characters aren’t eventually going to revert them to the status quo. I don’t get it. I don’t get why people are threatened by broadening the talent base and the array of characters to add to and expand the overall tapestry of the medium.

We Are the Danger is a comic book that brings more of that diversity to comics, that invites readers in who might not have otherwise been felt welcome decades ago. But it does so in a way that doesn’t dwell on its pro-diversity elements, and instead just focuses on engaging characters. And it’s a good bit of fun as well.

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Castling

The Last Siege #1
Writer: Landry Q. Walker
Artist: Justin Greenwood
Colors: Eric Jones
Letters: Patrick Brosseau
Cover artists: Justin Greenwood (regular)/Nick Dragotta (variant)
Editor: Branwyn Bigglestone
Publisher: Image Comics
Price: $3.99 US

Medieval stories — either with sword-and-sorcery elements or now — are from a genre in which I generally don’t have a lot of interest. I haven’t watched a moment of Game of Thrones, for example, and similar fare, such as Conan stories, rarely hold my attention. Nevertheless, I decided to give The Last Siege a glance when a digital preview made its way into my little corner of the world. This story features a number of traits that normally turn me off from such material, from stilted dialogue to reflect the time to hardships and violence that make it next to impossible to relate to the characters. But there was something to the plot and script here that clicked for me. The blend of politics and crude opportunism honestly put me in mind of the political climate in western society today, and specifically in the United States.

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System Restore

Invincible Iron Man #600
“The Search for Tony Stark, Finale”
Writer: Brian Michael Bendis
Artists: Stefano Caselli; Alex Maleev; David Marquez; Daniel Acuna; Leinil Francis Yu & Gerry Alanguilan; Jim Cheung; Mike Deodato Jr.; Mark Bagley, Andrew Hennessy & Scott Hanna; and Andrea Sorrentino
Colors: Marte Gracia, Alex Maleev, Daniel Acuna, Guru-eFX, Romulo Fajardo, Marcelo Maiolo & Rachelle Rosenberg
Letters: Virtual Calligraphy’s Clayton Cowles
Cover artists: Chris Sprouse & Karl Story (regular)/Alex Ross, Olivier Coipel, John Romita Jr. & Bob Layton (variants)
Editor: Tom Brevoort
Publisher: Marvel Entertainment
Price: $5.99 US

This has been celebrated as a major sendoff for writer Brian Michael Bendis, as it’s the last issue he’s written that Marvel has published since he started with the company 18 years ago. I’ve been thoroughly enjoying his Iron Man stories — be it those featuring Tony Stark, Riri Williams or Victor Von Doom — and I was eager to see how Bendis would wrap up the saga. Sadly, the execution here is a far cry from the strong writing we saw from him in the years leading up to this “finale.” At times, the story here is almost unintelligible, and I honestly don’t see what the point of any of it is (other than to restore several characters to their status quos). The constant shifts in art styles doesn’t help matters either. This was a disappointing final moment in Bendis’s Marvel tenure, and really, his far more focused and resonant conclusions to Jessica Jones and Spider-Man (Miles Morales) stand out to me as his true curtain calls.

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Celestial Body Count

Avengers #1
“The Final Host”
Writer: Jason Aaron
Pencils: Ed McGuinness
Inks: Mark Morales
Colors: David Curiel
Letters: Virtual Calligraphy’s Cory Petit
Cover artists: McGuinness & Morales (regular)/Aaron Kuder, Greg Land & Jay Leisten, and Esad Ribic (variants)
Editor: Tom Brevoort
Publisher: Marvel Entertainment
Price: $4.99 US

Here we go again — another relaunched title, coming on the heels of the temporary restoration of the original numbering. I took a peek at a couple of chapters of the “No Surrender” storyline that wrapped the previous Avengers titles, and it didn’t go much for me. When I heard Marvel planned another first-issue cash grab with this latest Avengers run, I figured I’d take a hard pass, but then I saw writer Jason Aaron and penciller Ed McGuinness were involved. McGuinness’s bright, cartoony style has an appealing old-school vibe to it, and Aaron has proven himself to be skilled when it comes to playing with Marvel’s cosmic concepts. This “debut issue,” such as it is, is a lot of fun and feels a bit like a Bronze Age Avengers epic. But at the same time, there’s a certain simplicity to it as well that’s in keeping with its throwback qualities, and ultimately, it doesn’t feel terribly inventive.

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A Sketchy Character

Frank Quitely: Drawings + Sketches hardcover art book
Writer/Artist: Frank Quitely
Editor: Nicola Love
Publisher: BHP Comics
Price: $26.99 US/£18.99 UK

I’ve been reading comics for almost 40 years now, and it’s without a doubt my favorite entertainment medium. As I’ve matured, I’ve become more and more interested in the creative process, and this art book takes us into the inventive art of highly regarded comic artist Frank Quitely. He’s offered some of the more inventive and challenging comics visuals, especially in the super-hero genre, in recent memory, and this book offers insight, directly from the artist, of how those medium-expanding moments came to be. This book will be a must for any Quitely devotee, but readers should bear in mind it’s far from a comprehensive look at his career.

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Elemental, My Dear

A Girl in the Himalayas original graphic novel
Writer/Artist/Cover artist: David Jesus Vignolli
Editors: Cameron Chittock & Sierra Hahn
Publisher: Boom! Studios
Price: $16.99 US

Promotional material released in advance of this book indicates this is writer/artist David Jesus Vignolli’s debut graphic novel, but I just can’t believe. This is a fully realized fable, and it’s a hauntingly beautiful and touching tale. The deceptively simple title of A Girl in the Himalayas is actually quite fitting, because while it doesn’t touch on the literal magic that imbues almost every panel of this graphic novel, it focuses the reader’s attention on the spiritual magic of innocence that represents the ultimate redemption of humanity. And yes, while there’s a larger plot that examines mankind’s penchant for self-destruction, the core strength of Vignolli’s story is how it examines the notion of family, no matter how unconventional the circumstances that brings it together.

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