Eye on Comics
  • About/Submissions

How I Read My Mother

  • Reviews - Miscellaneous

Are You My Mother? A Comic Drama original hardcover graphic novel
Writer/Artist/Cover artist: Alison Bechdel
Editor: Deanne Urmy
Publisher: Houghton Mifflin Harcourt
Price: $22 US

Considering Alison Bechdel’s previous graphic novel was the critically acclaimed Fun Home, which is about her father, and this new project focuses on her mother, comparisons are unavoidable. As such, I won’t even try to avoid them, even though the two books are significantly different in tone and approach. Given the strength of Fun Home and the apparent similarity in subject matter, I really looked forward to delving into Are You My Mother?. Now, I thoroughly enjoyed Fun Home. When considering the experience of reading Bechdel’s new graphic novel, “enjoyment” isn’t a term that leaps to mind, but don’t misunderstand me: it’s a worthy creative endeavor. Are You My Mother? is more of a challenge. It demands a great deal from the reader, and it sticks with the reader. While I wasn’t as engrossed in Bechdel’s exploration of motherhood and her own insecurities, I found the book made me think. I thought about it. A lot. And not just when I was reading it. At work. Lying awake in bed. As I drove. It’s as much an exploration of the written works of thinkers and authors she enjoys as it is as examination of her relationship with her mother, and while I found the many text excerpts halted the flow of the narrative, I appreciated the book for how thought-provoking it is.

Alison Bechdel finds herself at odds with her mother over the cartoonist’s decision to write and illustrate a book about her father (which would come to be Fun Home). Her mother frets over the family’s dirty laundry — including her late husband’s suicide and hidden homosexuality — being aired in public. The process prompts the author to consider not only her history in therapy, but the theories and thoughts of specific feminist writers and pioneers in the field of psychiatry. As Bechdel crafts her book, she evaluates her own life and her relationship with her mother… as well as with lovers and surrogate mother figures as well.

At first glance, Bechdel’s cartooning style is simple in nature, but in reality, she takes a surprisingly realistic approach. Her eye for anatomy is sharp, and it’s most apparent when in scenes incorporating nudity. Bechdel’s characters’ facial features are simpler in composition, but they’re incredibly expressive, given how the artist employs just a few lines to convey emotion and reaction. Perhaps what’s most impressive is how strong a visual connection Bechdel creates between her and her mother. The nose is the giveaway. I also appreciated how she often has the two characters facing each other while seated (even when they’re not in the same state). The approach is mirrored in her therapy sessions, as it makes the maternal role the counsellors take on all the more apparent. The biggest thing this book has in common with Fun Home is the rich level of detail and sense of place we see in the Bechdel family home in flashbacks. The furniture, the drapes… everything is incredibly vivid.

Are You My Mother? isn’t an easy read. Bechdel goes into incredible detail about the lives and philosophies of long-dead figures whose works in which she’s engrossed. Winnicott is a particularly obscure figure about whom Bechdel dwells, even obsesses. I know next to nothing about psychiatry or therapy. While I feel they’re of great value, they haven’t played a role in my life in any way, either practically or academically. The same holds true for many of the writers considered in this narrative. Bechdel’s explanation of and fascination with the lives of Donald Winnicott, Adrienne Rich, Virginia Woolf and others wasn’t at all infectious. Her inclusion of so many excerpts from their writings disinterested me and made my progress through the book slow and somewhat arduous at times. The one such reference that resonated for me was from Dr. Seuss’ The Sleep Book, which my wife and I have read innumerable times to our toddler son (at least until he shredded a number of pages while unsupervised).

Contrasting the matter-of-fact approach to the narrative are Bechdel’s observations of how elements from her life and her mother’s intertwine with the histories of the writers and healers in which she’s so interested. The parallels and synchronicity of it all bring a subtle degree of mysticism and or even spirituality to the mix.

Bechdel says up front she’s conflicted about writing about her mother, that her relationship with her mother is an elusive, mysterious thing to her, and that’s reflected in the writing. The script jumps all over the place. There’s little in the way of linear storytelling to be found in this book. It makes Are You My Mother? much more of a challenge to read, but it also mirrors the chaos and confusion in the author’s dreams, thoughts and feelings about the relationship and her life in general. Bechdel wisely brings a much more hopeful, healing tone to the writing in the closing chapter of the book, balancing the otherwise darker and depressed focus of the meat of the book.

If you look above in the opening paragraph of the review, I noted Fun Home is about Bechdel’s father while Are You My Mother? “focuses” on her other. But this new book isn’t about Bechdel’s mother specifically. It’s about the mothers (biological, surrogate and imagined) she’s had in her life — or wishes she had. Bechdel’s self-aware nature seems like something of a curse, but her discussion of her own feelings, insecurities and moments of turmoil allow the reader to recognize himself or herself in the author’s otherwise unique experiences. 7/10

Follow Eye on Comics on Twitter.

May 31, 2012 Don MacPherson

Post navigation

A New 52 Review: The Ravagers #1 → ← A New 52 Review: Batman Incorporated v.2 #1

Recent posts

  • Artful Obsessions: Paper Chase
  • Hare Tactics
  • Specs in the City
  • A Xerox on Your Houses
  • Poor Reception
  • Quick Critiques – Jan. 19, 2019
  • 2018 Glass Eye Awards – Creators
  • You’re Only Young Twice
  • The Music Man
  • 2018 Glass Eye Awards – Comics

Categories

Archives

Categories

  • Announcements
  • Editorials
  • Features
  • Original Comic Art
  • Reviews – Action Lab
  • Reviews – AfterShock
  • Reviews – AiT/PlanetLar
  • Reviews – Archie
  • Reviews – Black Mask
  • Reviews – Boom! Studios
  • Reviews – Dark Horse
  • Reviews – DC
  • Reviews – DC/Vertigo
  • Reviews – DC/Wildstorm
  • Reviews – Devil's Due
  • Reviews – Drawn & Quarterly
  • Reviews – Dynamite
  • Reviews – Fantagraphics
  • Reviews – IDW
  • Reviews – Image
  • Reviews – Indy/Small Press
  • Reviews – Legendary
  • Reviews – Lion Forge
  • Reviews – Marvel
  • Reviews – Miscellaneous
  • Reviews – NBM
  • Reviews – Oni Press
  • Reviews – Other Media
  • Reviews – Quick Critiques
  • Reviews – Radical
  • Reviews – Slave Labor
  • Reviews – Titan
  • Reviews – Tokyopop
  • Reviews – Valiant
  • Reviews – Zenescope
  • The New 52 Review Project

Search

Recent Posts

  • Artful Obsessions: Paper Chase
  • Hare Tactics
  • Specs in the City
  • A Xerox on Your Houses
  • Poor Reception

Recent Comments

  • Perry Beider on 2018 Glass Eye Awards – Creators
  • Lord Wyngate on Web of Lies
  • The Combined Best Comics & Graphic Novels of 2018! – Jamie Coville on 2018 Glass Eye Awards – Comics
  • Don MacPherson on Artful Obsessions: Grummett Summit
  • Perry Beider on Artful Obsessions: Grummett Summit
February 2019
S M T W T F S
« Jan    
 12
3456789
10111213141516
17181920212223
2425262728  

Archives

  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • July 2017
  • June 2017
  • May 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • April 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • August 2012
  • July 2012
  • June 2012
  • May 2012
  • April 2012
  • March 2012
  • February 2012
  • January 2012
  • December 2011
  • November 2011
  • October 2011
  • September 2011
  • August 2011
  • July 2011
  • June 2011
  • May 2011
  • April 2011
  • March 2011
  • February 2011
  • January 2011
  • December 2010
  • November 2010
  • October 2010
  • September 2010
  • March 2010
  • February 2010
  • January 2010
  • December 2009
  • November 2009
  • October 2009
  • September 2009
  • August 2009
  • July 2009
  • June 2009
  • May 2009
  • April 2009
  • March 2009
  • February 2009
  • January 2009
  • December 2008
  • November 2008
  • October 2008
  • September 2008
  • August 2008
  • July 2008
  • June 2008
  • May 2008
  • April 2008
  • March 2008
  • February 2008
  • January 2008
  • December 2007
  • November 2007
  • October 2007
  • September 2007
  • August 2007
  • July 2007
  • June 2007
  • May 2007
  • April 2007
  • March 2007
  • February 2007
  • January 2007
  • December 2006
  • November 2006
  • October 2006
  • September 2006
Powered by WordPress | theme cats456