Monthly Archives: January 2007

Dark Towering Inferno

All hail Stephen King, Marvel Comics proclaims, urging readers and retailers to get excited about the upcoming release of its comic-book adaptation of King’s Dark Tower novels. The problem is that recently, many are crying foul, feeling as though Marvel promised a King-written comic book featuring new content, not adapted material. It turns out comics writer Peter David is penning the scripts, with art by Jae Lee. Thanks to the magic of Google, it’s easy to determine if those bait-and-switch allegations have any real basis. I dug up the original news release (issued in the fall of 2005), as well as various websites’ coverage of the initial announcement.

Other versions of the initial news release online note that the first issue of this landmark project was originally slated for release in April 2006. With Dark Tower: The Gunslinger Born #1 slated for release Feb. 7, that puts the project almost a full year behind schedule. That’s another black eye for the project from a publisher with an unfortunate reputation for lateness when it comes to high-profile projects.

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Quick Critiques – Jan. 1, 2007

Detective Comics #827 (DC Comics)
by Paul Dini, Don Kramer & Wayne Faucher

Given the breath of fresh air he and Bruce Timm breathed into the world of the Batman on TV in the mid 1990s, writer Paul Dini is a natural choice to fashion and introduce a new version of the Ventriloquist. I have to admit, his script is executed quite well, offering a surprising twist rather than the stereotypical resurrection we’re set up to expect. Dini’s script paints Gotham’s underworld as something more akin to the dark corners of Dick Tracy’s world; it’s not just the super-villains, but every thug has a gimmick now. This issue doesn’t represent penciller Don Kramer’s best work. The figures are stiff throughout the episode. Anatomy seems off, and movement isn’t at all convincing. However, his depiction of Scarface is striking. A gun-toting puppet could be a laughable visual, but he manages to depict it as an intimidating presence. Though I was surprised, the plot is otherwise by the numbers, and I really don’t see what the point is beyond establishing the Ventriloquist as a viable member of the Batman’s rogues gallery once again. Furthermore, the new villain’s motives are unclear; the intent seems only to eliminate a threat that was unaware of the new criminal mastermind’s existence in the first place. 6/10

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