Monthly Archives: November 2017

Justice, Like Lightning…

Black Lightning: Cold Dead Hands #1
“Cold Dead Hands, Part One: Ready to Do It All Over”
Writer: Tony Isabella
Artist: Clayton Henry
Colors: Pete Pantazis
Letters: Josh Reed
Cover artists: Clayton Henry (regular)/Ken Lashley (variant)
Editors: Rob Levin, Harvey Richards & Jim Chadwick
Publisher: DC Comics
Price: $3.99 US

I took note of this comic book’s release this week because it marks a turning point in a creative relationship between DC Comics and a writer, Tony Isabella. The latter has been quite vocal over the years about his dissatisfaction with how the Black Lightning property has been handled in the decades since it debuted, and how he’s been treated as the character’s main creator. With a Black Lightning TV series set to begin next year and Isabella’s return to pen new BL comics, it’s clear the relationship has been repaired. The problem with such a backstory is that it sets an awfully high bar for a creator’s return to the notable character he crafted, so it begs the question: is the comic any good? I’ll be honest that I was expecting something different — something edgier and far more steeped in socio-political issues than it is. I was surprised to find a rather traditional super-hero comic, not nearly as dark as I anticipated. There’s actually an unexpected playfulness to the titular hero that was a bit of fun. Easily the best thing this comic has going for it is the artwork by Clayton Henry, whose crisp lines, paired with some popping colors, bring as much energy to the story as what we see pouring out of the protagonist’s fingertips.

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Charting a Course

A comic artist with a quarter century of experience in the industry, including memorable projects involving Batman for DC Comics, is heading back to school, but he’ll be the teacher and anybody, anywhere can attend classes.

Bo Hampton — an Atlanta, Georgia-based artist known for such comics as DC’s Batman: Legends of the Dark Knight, Batman: Castle of the Bat and Legend of Sleepy Hollow from Image Comics — launched Drawing for Comics on Nov. 1. It’s an online course teaching comics illustration, and Hampton is delivering it through a series of videos, as well as options for live Skype assessment sessions.

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The Strong Protect the Weak

Captain America #695
Writer: Mark Waid
Artist: Chris Samnee
Colors: Matthew Wilson
Letters: Virtual Calligraphy
Cover artists: Chris Samnee (regular)/Alex Ross, Mike McKone, Adi Granov, Jim Steranko & John Tyler Christopher (variants)
Editor: Tom Brevoort
Publisher: Marvel Entertainment
Price: $3.99 US

Mark Waid and Chris Samnee… Off the top of my head, I can think of only one other active creative in comics today that’s as well suited to one another and as successful in storytelling (Ed Brubaker and Sean Phillips, for the record). It’s clear that after the tremendous success of their landmark run on Daredevil in recent years, the writer and artist have their pick of projects at Marvel Entertainment. They moved onto Black Widow after DD for a solid, entertaining 12-issue run, but their renegade spy thriller didn’t have quite the same personal impact. While I’m surprised Waid has chosen to return to Captain America (after leaving a lasting mark on the character with his classic run with artist Ron Garney in the late 1990s), I was eager to delve into what he and Samnee had in store for us. After reading the creative team’s inaugural issue, I’m pleased to report there’s definitely the promise of something memorable. And perhaps even more than that; this might be a classic. It’s a relatively quiet and straightforward start, but it’s so positive and idealistic, it’s definitely the right response to the year of divisive, dark Cap stories that preceded it.

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