Category Archives: Reviews – Indy/Small Press

My Favorite Martians

The Martian Confederacy original graphic novel
Writer: Jason McNamara
Artist/Cover artist: Paige Braddock
Colors: Brian Miller & Paige Braddock
Publisher: Girl Twirl Comics
Price: $15 US

The Martian Confederacy isn’t your typical science-fiction story. It’s hard to nail down. It’s humorous. It’s political. It’s action-packed. It’s touching. It’s off the wall. This quirky, small-press effort has a lot to offer its readership, but it doesn’t feel like it’s trying to be all things to all people. McNamara’s characters and dialogue are a lot of fun. Even the villains have a certain charm. The book as a whole is definitely light-hearted, but it boasts a couple of nastier, gory moments that make for not-unpleasant jolts in the flow of the narrative. The Martian Confederacy and its creators face some challenges. Some fans of small-press or indy comics might think a sci-fi graphic novel isn’t something that would appeal to them, just as fans devoted to more mainstream action-comics fare mightn’t be drawn to it either. Ultimately, both factions would be well advised to give it a chance. It’s undeniably fun, and it just gets more entertaining and enjoyable the further one gets into the book.

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Return to Splendor

Many Happy Returns
Licensable Bear segments:
Writer/Greytones/Letters: Nat Gertler
Artists: Rusty Haller & Ryan Estrada
Greytones: Nat Gertler & Ryan Estrada
“Too Rich To Be Guilty – A Crossfire Tale”
Writer/Greytones: Mark Evanier
Artist: Dan Spiegel
Letters: Thom Zahler
“Perry Had a Pimple”
Writer: Haywood Banks
Artist: Rusty Haller
“General Chatters”
Writer/Artist: Daniel Schneider
“Clawface – A Journey Tale”
Writer/Artist: Bill Messner-Loebs
Cover artists: Dan Spiegle & Bill Messner-Loebs
Publisher: About Comics
Price: $3.99 US

This book derives its title mainly from the fact that it returns a couple of important small-press, creator-owned properties that garnered a fair bit of attention in the industry in the 1980s. I’d read a couple of Crossfire comics in the past, but I’d only ever heard of Bill Messner-Loebs’s Journey, featuring a very different kind of Wolverine as the protagonist. For introducing me to the latter, Many Happy Returns scores a lot of brownie points, and I’m pleased to see we’ll be seeing more of Journey in the form of trade-paperback reprints from IDW Publishing.

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Fence Post

White Picket Fences: Double Feature original graphic novel
Writers: Matt Anderson & Eric Hutchins
Artists: Micah Farritor, Brian Mead & Tim Lattie
Colors: Micah Farritor & Brian Mead
Letters: David Hedgecock
Editor: Kevin Freeman
Publisher: Ape Entertainment
Price: $6.95 US

While this book reads more like a short collection of a couple of issues, the Comics Space website for the property bills it as an original graphic novel. Actually, it’s an original graphic anthology, with the same setting and characters appearing in all three stories. This is my first exposure to White Picket Fences, which apparently has already been published as a limited series, with another on the horizon. It’s a cute, comic tribute to science-fiction and super-heroes of a bygone era. While entertaining, there’s little that’s actually original to be found here — save for its visual style. The exaggerated, angular art on the opening and closing sequences, as well as an unconventional approach to coloring, really held my interest. While there’s not a great of logic in how the characters act in these stories, there’s no denying the charm, sense of adventure and — most of all — innocence that draws one into this all-ages book.

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Terry Moore is Back (back back back back…)

Echo #1
Writer/Artist/Cover artist: Terry Moore
Editor: Trey Moore
Publisher: Abstract Studio
Price: $3.50 US

Well, last week saw the return of Jeff Smith with a new, self-published series, and now, we have Strangers in Paradise creator Terry Moore throwing his hat back into the indy comic ring again. March is proving to be a good month for fans of the best self-published writer/artists of the past couple of decades. Moore’s soft, realistic approach to the human figure is back in full force, and it’s just as pleasing to the eye as it’s been in the past. What’s surprising about this new series is the subject matter. Echo is firmly entrenched in the super-hero genre, and while Moore is no stranger to super-hero comics, it’s certainly not what one expects from his self-published, creator-owned work. This debut issue offers a fairly standard origin for the heroine of the series; actually, the plot is rather cliched. What allows Echo to stand out as something more than a stereotypical super-hero title is Moore’s characterization and ear for dialogue. While the action and premise are extreme yet cliched, the characters remain grounded yet intriguing. I’m not so much interested in what’s going to happen to Julie next, but I am interested in who she is.

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Smith and Guessin’

RASL #1
Writer/Artist/Cover artist: Jeff Smith
Publisher: Cartoon Books
Price: $3.50 US (not printed on publication)

The new Indy Movement is underway with the release of a new, self-published title from one of the three biggest names in comics self-publishing. Jeff Smith amazed us all with Bone, and he even broke through an industry barrier, capturing the attention of non-comics readers, tapping into a wider market. Last year’s announcement of this new project was one of the more exciting pieces of North American comics news, and now, it’s finally here. It’s a delight to see more work from Jeff Smith, but what’s most interesting and engaging about RASL is the dramatic shift it represents in his storytelling. The softness and expressiveness we’ve come to expect from Smith’s art is still apparent, but the subject matter and protagonist boast a harsher tone, making for a surprising change. Don’t misunderstand me, though… it’s a welcome change. It’s entertaining to watch Smith exercise some different muscles in terms of plotting, characterization and dialogue. His rogue thief hero and the mystery that surrounds him will no doubt appeal to just about any reader, and not just those familiar with Smith’s work or fans of the medium.

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Bullet Points

Scorn #1
“Obsessed”
Writer: Kevin Moyers
Artist/Cover artist: Philipp Neundorf
Publisher: Septagon Studios
Price: $3.50 US

A lot of comic books cross my desk, and a good number of those are independent or small-press outfits crafted by amateur or tyro creators who still have some development ahead of them. I usually find something in those efforts that I enjoy, even if it’s just the creators’ passion and enthusiasm. I’d never heard of Septagon Studios, and I assumed I was in for another bargain-basement comics effort. While the creators still have to refine their skills a bit, there’s a lot of promise to be found in Scorn. It’s a story about violence begetting violence, about the potential for grief to consume oneself and just about growing up. There’s a gritty intensity to the art that’s in keeping with the tone of the story, and the somewhat unconventional approach to the sequential art really allows artist Phillip Neundorf’s work to stand out. This is a solid debut effort from two unknowns, and I suspect that as they hone their storytelling in the coming years, we may see higher-profile projects from them, either together or teamed with others.

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Feel the Burn

Afterburn #1
“Chaos and Profit”
Writer: Scott Chitwood & Paul Ens
Pencils: Wayne Nichols
Inks: Nick Schley
Colors: Marc Hampson & Andrew Dalhouse
Letters: Troy Peteri
Cover artist: Matt Busch
Publisher: Red 5 Comics
Price: $2.95 US

The first Red 5 Comics release I read, Atomic Robo, impressed, so when I sat down to delve into another one of their titles, I had high hopes. With Afterburn, I found the same kind of energy and sense of adventure as I did in Atomic Robo, but this project lacks the storytelling polish and flair of that other book. To be fair, they’re rather different comics; Afterburn isn’t played for laughs, for example. But whereas Robo hit all the right notes, the creators behind Afterburn falter when it comes to detail, both in the script and the art. There’s actually an intriguing premise, but the script presents what seems like important plot information but then races on ahead of it. The artwork is impressive at times, but it’s also inconsistent. It seems like everyone is rushing through this story, desperate to maintain a certain intensity, unfortunately sacrificing the reader’s chance to connect with the characters and absorb the story.

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Sketchy Memories

50 Reasons to Stop Sketching at Conventions
Writer/Artist: Stuart Immonen
Publisher: One Horse Leadworks
Price: $5.95 US

As creator Stuart Immonen notes in the back of this book, 50 Reasons first saw life as a daily web comic in 2004, allowing the super-hero artist to flex a different set of artistic muscles. He later adapted and collected the toons to create this small, attractive volume, and it’s been for sale on Immonen’s website for some time. I’d noticed it and heard good things about the book, and I’d been meaning to order a copy. Recently, I spotted it on the shelf at my local comic shop, and I was thrilled to see this odd little product reach a wider set of readers by more conventional means.

I’ve been to a few comic conventions in my time, twice making it to the granddaddy of North American cons, Comic-Con International San Diego. I’m a fan of cons, and I’m very much a fan of con sketches. I’ve a small, themed sketchbook to which a wide variety of industry artists have contributed. Among them is Immonen himself (offering up a weird but fun caricature of Kurt Busiek, torturing the artist during their Gorilla Comics collaborative period). But there are awkward, annoying and even ugly sides to conventional culture, and Immonen does an excellent job of conveying those elements in a succinct manner.

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G.I. Robot

Atomic Robo #1
“The Will to Power”
Writer: Brian Clevinger
Artist: Scott Wegener
Colors: Rhonda Pattison
Letters: Jeff Powell
Cover artist: Michael Avon Oeming
Publisher: Red 5 Comics
Price: $2.95 US

As I read the background text in the inside front cover of this issue, describing the title character and his history, I was struck by how much the character has in common with Hellboy. The main difference between the pair is that Hellboy has supernatural origins, while Atomic Robo’s foundation is to be found in history of science and science-fiction. As I delved further into the comic, I found that the similarities hold true, save for the fact that the creators here play things up much more for laughs. If anything, Atomic Robo is reminiscent of another Mike Mignola project. It’s rather like The Amazing Screw-On Head Light. The simpler tone of the art is in keeping with the more irreverent side of the property as well. I can’t say that Atomic Robo is the most original comic book I’ve stumbled across, but it is entertaining. Hopefully, future issues will bring more ambitious and original plots while preserving the property’s comedic appeal.

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Everybody Hurds

Pictures of You original graphic novel
Writer: Damon Hurd
Artist/Cover artist: Tatiana Gill
Publisher: Alternative Comics
Price: $11.95 US

It’s been far too long since we’ve seen new comics work from indy, slice-of-life writer Damon Hurd, but those of us familiar with his short but universally strong list of previous work can take solace in the fact that the wait is almost over. Later this month, Alternative Comics will release Pictures of You, a followup to Hurd and artist Tatiana Gill’s previous collaboration, A Strange Day. That previous project chronicled the first meeting of a couple of kindred spirits, the beginning of a beautiful love story. Pictures of You is a prequel, following the same characters as they follow separate, sad paths the year before. Gill’s art isn’t the sort of clean, tight work that manga and super-hero genre readers are accustomed to, but it’s grounded and honest, more than compensating for any superficial inconsistencies. Readers will be hard pressed to feel disconnected from this story. There are universal elements at play that makes Pictures of You a compelling read. One can easily relate to pieces of the various characters, but really, that comes as no surprise. It’s what Damon Hurd does best.

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Architectural Digesting

The Architect original graphic novella
Writer: Mike Baron
Artist/Cover artist: Andie Tong
Colors: Mike Kilgore
Letters: Scott Bieser
Publisher: Big Head Press
Price: $9.95 US

Mike Baron is an award-winning comics writer with whom newer readers might not be familiar, and to be honest, I don’t think I’ve read a lot of his work either. I’ve read precious little of The Badger, the character for which he is best known, and there hasn’t been that much Nexus material available in recent years either. I’ve probably most familiar with Baron as the first writer to take The Flash when the title was relaunched in the wake of Crisis on Infinite Earths in the late 1980s, featuring the Wally West incarnation of the character. With this small-press project, Baron clearly demonstrates that he’s comfortable as a writer outside the super-hero genre. The Architect is an entertaining horror story, and with it, Baron shows that he has a soft spot for the horror comics of yesteryear and cheesy but amusing horror flicks as well. The plot hinges on a lot of coincidences, but they work within the context of the supernatural elements of the plot. Where this project goes awry is with its visuals. British artist Andie Tong offers some solid work here, but his style strikes me as a poor match for the darker tone for which the story strives.

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Do You Believe in Magic?

Levitation: Physics and Psychology in the Service of Deception original graphic novella
Writer: Jim Ottaviani
Artist/Cover artist: Janine Johnston
Letters: Tom Orzechowski
Publisher: GT Labs
Price: $12.95 US

Writer Jim Ottaviani is well known in the comics industry for his passion for bringing the history of science to life in sequential storytelling. No one else really does what he does, and even if there were others, I doubt they could do it any better. Levitation is one of two releases this week from his independent GT Labs publishing outfit, and it stands out as a fascinating read. Ottaviani has timed this graphic novella well. With the films The Illusionist and The Prestige still fresh in the pop-culture consciousness, there will no doubt be a greater interest in his history of stage magicians from the late 1800s and early 20th century. Janine Johnston’s artwork certainly captures a sense of the historic here but has a wondrous quality at work as well. Ottaviani crafts a story that not only conveys the cold, hard facts but one that explores the personalities involved. He blends his approach to history with a respect for the legends to which it gave rise. Though the book is a bit pricy for a 72-page volume, there’s no denying that the storytelling is magical.

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Poison Pens

Poison: The Cure #1
“Chapter One”
Writer: Jad Ziade
Artist/Cover artist: Alex Cahill
Publisher: New Radio Comics
Price: $9 US

The last time I came across Alex Cahill’s sequential storytelling was in the odd and frustrating graphic novella The Last Island. It was something of a storytelling experiment, as it explored the notion of a silent parable in comic-book form. It was intriguing but ultimately didn’t appeal to me. With this latest project, Cahill steps aside and lets someone else do the writing, and the wordless approach is cast aside as well. Poison the Cure seems on the surface to be something of a take on an environmental cautionary tale, but in reality, it’s more about the ethics of legitimate rebellion. Writer Jad Ziade explores pits the concept of non-violent protest against protection of self and others by any means necessary. What makes the story interesting are the more grounded moments the characters share, but interfering with the effectiveness of that side of the story are the science-fiction elements. It’s not at all clear why the framing sequence, set in the future, is necessary, and the sci-fi side of the main story is so subtle that I wonder why it was included as well. Poison the Cure is certainly an ambitious project with plenty of potential, but the execution feels a bit off.

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Paradise Lost

Strangers in Paradise #90
Writer/Artist/Letters/Cover artist: Terry Moore
Publisher: Abstract Studios
Price: $2.99 US/$4 CAN

My one-time reviewing partner Randy Lander introduced me to the world of Strangers in Paradise a few years ago, and I was immediately drawn into Terry Moore’s unique love story. Predominantly about a romantic triangle, the story also boasted crime-story elements, sitcom-like humor and even a touch of espionage-genre intrigue. I followed the series religiously for a while, even during its stint at Image Comics, but eventually, it felt as though nothing was getting resolved. After a move and a missed issue or two, I lost touch with the title altogether. With the release of its final issue, though, I jumped at the chance to revisit these characters and see the ultimate culmination of Moore’s vision for his cherished characters, Katchoo, Francine and David. This concluding issue held a couple of surprises, but more importantly, it offered exactly the sort of ending I would imagine fans desired. In some ways, Moore’s wrap-up seems too neat. The ever-after proves to be a little too happy. On the other hand, there’s such a pure, hopeful tone to the script that one can’t help but become infected by the joy. As enjoyable as the ending is, what’s most impressive is the series as a whole. Terry Moore is to be applauded for delivering this title consistently and reliably for so many years, all on his own.

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Keep Your Eyes on the Road

Red Eye, Black Eye original graphic novel
Writer/Artist/Cover artist: K. Thor Jensen
Publisher: Alternative Comics
Price: $19.95 US

A casual perusal of this website might lead one to believe that I’m a fiend for super-hero comics, and that genre alone in the medium. That’s not the case. Though I love the feelings of wonder and nostalgia that super-heroes stir up inside me, I really enjoy comics that challenge me and provoke introspection. That’s a domain that the world of small-press and indy comics do better than the larger publishers, and Red Eye, Black Eye is a shining example. Cartoonist K. Thor Jensen boasts an artistic style that one could describe as crude, but it’s remarkably effective at bringing his grounded memoir of an adventure on the road to life. This autobio comic rings incredibly true, because some of the main character’s experiences lead nowhere while others have more of an explosive quality. The central point to Jensen’s overall narrative is a bit elusive at first, but it seemed to become crystal clear by the issue’s end. To me, Jensen says life is meant to be a series of one’s own stories, of dramatic and unusual moments, good or bad, but that they can only happen if one actively seeks them out (even if it’s unknowingly).

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